{"id":6980,"date":"2017-12-17T01:18:24","date_gmt":"2017-12-17T01:18:24","guid":{"rendered":"http:\/\/jacquelineripstein.com\/site\/?page_id=6980"},"modified":"2018-02-24T16:57:43","modified_gmt":"2018-02-24T16:57:43","slug":"international-art-critics-synthesis","status":"publish","type":"page","link":"https:\/\/jacquelineripstein.com\/site\/international-art-critics-synthesis\/","title":{"rendered":"International Art Critics Synthesis"},"content":{"rendered":"

International Art Critics Synthesis<\/h3>
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The Blessed Virgin Mary, the Universal Mother and Queen of Peace, is the world\u2019s most beloved woman.\u00a0 Every day, for centuries, her name finds its way into the prayers of people everywhere.\r\n\r\nJacqueline Ripstein has painted an image of the Virgin Mary for all people, for all time.\u00a0 Her beautiful\u00a0Our Lady of the Universe<\/em>\u00a0brings the traditional representations of Mary into the twentieth century, while never sacrificing her ageless spirituality.\u00a0 Using a unique and new invisible technique (patent pending Jacqueline Ripstein) that combines oil with gold for exquisite effects, Jacqueline captures the radiant lighting of the Virgin\u2019s celestial being.\u00a0 The radiance of Mary\u2019s beauty is even more striking when revealed with black light.\u00a0 To gaze upon\u00a0Our Lady of the Universe<\/em>\u00a0is an emotional experience that transcends the merely physical recognition of the most highly revered woman in history.\u00a0 Through her exquisite painting, Jacqueline Ripstein hopes to reflect the feelings of everyone who seeks peace, unity and love, and to inspire an answer to Mary\u2019s call to come to God.<\/blockquote><\/div>

Carol Damian<\/h4>

Associate Professor of Art History at Florida International University in Miami, Florida, and author of The Virgin of the Andes: Art and Ritual in Colonial Cuzco 1997<\/p><\/div><\/div>\n

\u201cArt in general and the genre of painting in particular is a concept that lives and finds refuge in the creator\u2019s continuous contributions from centuries upon centuries of intense exploration, Fundamentally throughout this century, more than many other century in history, artist have searched for new frontiers and unknown languages trying to find that one expression that could define them, to become what only a few are called to become.\u00a0 Among the fortunate, Jacqueline Ripstein, for whom art is a star that illuminates her and others its distinguished generosity to allow a picture to go beyond a simple representation, creates on canvas a dazzling spectacle that burst with surrealism symbols evoking emotion from the viewer. And, this is true because her entire work is part of a message that , oil like matter organizes on the canvas to invite you to enjoy with devoted and admiring silence\u201d<\/blockquote><\/div>

Antonio Morales<\/h4>

(1994) Director of \u201cCorreo del Arte\u201d & \u201cCorreo del Arte Hispano\u201d, Honorary Member of the Spanish Association of Painters & Sculptors, Academia de Bellas Artes Espa\u00f1olas, (Fine Arts Academy of Spain)<\/p><\/div><\/div>\n

JACQUELINE RIPSTEIN: \u201cARTIST OF MYSTICAL REALISM.\u00a0 For contemporary Artist approaching the 21st<\/sup>\u00a0century, the subject of spirituality is not an easy one to address in a society that is most often cynical and secular, and comfortable with modern paintings styles that are abstract and objective. Through her art she has the power to enter new pathways leading toward the internal light. Her paintings are a testament to this commitment and reflection of life\u2019s experiences in body and soul\u201d<\/blockquote><\/div>

Carol Damian<\/h4>

Professor of Art History of Florida, International University (1996)<\/p><\/div><\/div>\n

\u201cJacqueline Ripstein search for God and her knowledge of human nature has given her the power to create paintings that touch our hearts & souls t through a silent language, a prayer.\u00a0\u00a0 Extensive scientific research that culminated in a unique discovery allow us to say that she is undoubtedly the creator of the invisible technique.\u00a0 This gives her work an evocative power, a mysterious atmosphere, which is accentuated by the artist\u2019s charisma.\u201d<\/blockquote><\/div>

Jane Chiroussout Chambeaux<\/h4>

Conservator Museum of Modern Art, Unet (France)(1996)<\/p><\/div><\/div>\n

Now a days it is extremely difficult to paint a Christian theme, which has been produced in abundance during several centuries.\r\n\r\nTo produce such a theme today requires great creative capability now to return to preexisting patterns.\u00a0 This is the case in the work of Professor Jacqueline Ripstein:\u00a0 In her painting entitled \u201cOur Lady of the Universe god\u2019s gift to the world\u201d, creative capability surfaces and not lines perfection.\r\n\r\nThe composition is organized in a tri-dimensional plane; the background stands out with a mild contrasting color mixture, where color governs the form, framed in wrapping movement from which the Virgin emanates.\r\n\r\nHer physical structure combines static\u2019s with movement.\u00a0 The static and at the same time dynamism of the virgin carries and expression transmitted to the spectator as tenderness a sensibility arises.\r\n\r\nAlthough the peacefulness of the Virgin touches the limits of weeping, it remains wrapped in a beautiful environment, very pleasing to the spectator eye.\u00a0 The composition Recalls Renoir in the movement with infinite expression, skillfully accomplished; and the movement recalls the Baroque without mixing with the abrupt of this current.\r\n\r\nThe handling of closeness, remotes, rests and movements weld well with the abstract elements, realistic and surrealistic, flourishing outstanding symbolism which allows each spectator to emit subjective judgements.<\/blockquote><\/div>

Moises Cattan Mansur <\/h4>

APPRAISAL & Art Critic October 28, 1997, M\u00e9xico DF<\/p><\/div><\/div>\n<\/div>\n\n\t

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Como Gustavo Dore y otros ilustres dibujantes, ha puesto sus ojos en p\u00e1ginas inmortales, se ha internado en sus reflexiones volvi\u00e9ndose viajera de los desiertos de la humanidad, y de ah\u00ed ha convertido esos anecdotarios en pinturas de bien factura.\u00a0 Con estas observaciones como discursividad \u00e9tico-artista, Jacqueline trabaja, dibuja, pinta, ilumina con una paleta enriquecida por la c\u00e1lida pasi\u00f3n sensual amorosa de los colores intensos y de este modo va entregando en cada obra su testimonio: Verbo elocuente y vigoroso de un modo de pensar y de una categ\u00f3rica manera de sentenciar los equ\u00edvocos de los hombres en forma precisa y preciosa.<\/blockquote><\/div>

Antonio Flores Antunez<\/h4>

Mexico As of Art critics and Press<\/p><\/div><\/div>\n

Pintar es, en mi opini\u00f3n, una cuesti\u00f3n de transformaci\u00f3n de energ\u00edas.\u00a0 Y si lo considero como Hobby, el pintar significa para m\u00ed hacer visibles las energ\u00edas latentes en el subconsciente, movilizables en forma de impulsos, ideas o intuiciones; dar salida a sus cifras y se\u00f1ales, es decir, a su lenguaje.\u00a0 El sentido, la comunicaci\u00f3n, el \u201cmensaje\u201d se muestra directamente, sin contemplaci\u00f3n evaluativa indirecta y sin percepci\u00f3n racial, y se comunica, se revela al contemplador propenso, predispuesto, en forma de dimensi\u00f3n, mensaje, etc., comprensible y sospechable \u00fanicamente a trav\u00e9s de sus \u00f3rganos espirituales.\r\n\r\nLa empresa art\u00edstica establecida y rutinaria de hoy no tiene nada en com\u00fan con la creatividad inicial, con la expresi\u00f3n original y la lucha por la auto realizaci\u00f3n en el sentido evolutivo.\u00a0 Es m\u00e1s bien un comercio de productos de arte.\u00a0 Por eso, yo ser\u00e9 siempre un intruso, porque no me encanallo.<\/blockquote><\/div>

Walter Kumpe<\/h4>

Germany 1974<\/p><\/div><\/div>\n

As a result of her research and obsession for her medium, JACQUELINE RIPSTEIN has been rewarded by discovering a New Technique in Art for which she holds a patent pending and copyright. Developed in 1982, INVISIBLE ART\u00a9 is JACQUELINE RIPSTEIN\u2019S legacy bringing art to a new dimension as a guidance and healing for humanity towards the 21st<\/sup>\u00a0She has inspired to awaken the world through a cultural and spiritual movement conveying that the salvation of man is based on the return of the lost values: Faith, Love, Knowledge and Unity, and one of the few tools we have is ART.\r\n\r\nJacqueline Ripstein has broken away from the abstract schools of modern art in her concern with significant content. She is shedding a new light on the traditional myths of the past by applying them to the present predicament of mankind in this period of moral and spiritual stagnation; she has the courage to the strike out as a humanist and a moralist.<\/blockquote><\/div>

Beril Becker<\/h4>

New York Critic and writer, New York, USA, 1978<\/p><\/div><\/div>\n

\u201cJacqueline Ripstein work, the liberty of ideals is based on an equal liberty of execution and at the same time, allows admiration of this artistic language through the mastery, of the brush, the colorful accuracy and the great spiritual richness of this visionary who has created an original form of expression.\u00a0 Besides being an outstanding artist, Jacqueline Ripstein is intellectually grounded in mysticism and the sciences to create polyvalent and fascination symbols that make her painting innovative and transcendent.\u00a0 Her audacious combinations of shapes and highlighted by images of delicate poetry, rich design and tones.\u00a0 In summary, her contribution to the technique and expression of painting, has made her a first-class artist anywhere in the world.<\/blockquote><\/div>

Bertha Taracena<\/h4>

Mexican Art Critic Member of the international Association of Art Critics (AICA) Mexico, 1978<\/p><\/div><\/div>\n

Her paintings are disturbing and suggestive due to the conceptual spirituality and surrealistic splendor of this expressive language. This artist has obtained her creative seasoning after a demanding and decidedly self \u2013taught, formative period in her life and following a lengthy and successful path of exhibitions ,celebrating her art form which it\u2019s years ahead of it\u2019s time ,in Mexico California, Texas and New York\r\n\r\nIt\u2019s really unusual that during this times of superficiality and of social unimportance that this young artist would be involved in the gloomy world of symbolism. Especially when she\u2019s trying to express the eternal problem of man and God in Nature and its creative elements. She wants to be the pioneer of a new artistic movement that contributes to mysticism by utilizing images that persuade humans to forget the materialistic daily life and return to spiritual values.\r\n\r\nJacqueline Ripstein anxious and hopeful to discover the \u201cDivine light\u201d in her paintings experimented hours and hours. She finally was able to paint ambitious works of religion whose theme\u2019s way between tales of biblical punishment and the joy of celestial visions that have double meanings. Dependent on how you viewed the painting under natural or \u201cblack light \u201cdifferent emotional communication could be established.\r\n\r\nHer paintings demonstrate a dramatic change .Under natural light ,the images are alive and cheerful, and under the black light they are mysterious figures, a fundamental key to unraveling the sublime message that each portrays. It was without a doubt a genuine discovery .A value added of course, to the artistic value of each painting.\r\n\r\nIt brings to mind the expressionist surrealism that was characterized by the Flamenco artist ,Hironimus Van Akeken (known as El Bosco).With his anarchic and cunning compositions and mocking attitudes, he intrigued.\r\n\r\nThere is absolute agreement between Jacqueline\u2019s art and human regression to the level of spiritual values. Although there is a difference in her expression. Jacqueline\u2019s paintings do not portray a mocking attitude.\r\n\r\nHer ambitious intentions, spiritual surrealism and possibility for dual messages are obvious in her paintings, but the interest of the critic has to focus strictly on the positive pictorial values .She is a master of amiable drawings, she treats light with uncommon diversity, and her sensibility and knowledge culminates in the internal harmony of her paintings and in the delicacy of her palette.\r\n\r\nIt is unquestionable that after her art and Spain have established contact, Jacqueline Ripstein will encounter the apex of her sensitivity and be in the peak of her profession<\/blockquote><\/div>

Antonio Cobos<\/h4>

(1994) Dean of Critics, Spanish Art\u2019s-Co-Founder \u201cAECA\u201d, Spanish Association of Art Critics, Member \u201cAssociation International des Critiques D\u201dArt. <\/p><\/div><\/div>\n<\/div>\n\n\t

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